Forming the imagination: Reading the Psalms with poets

Genre, parallelism and canonical shaping have long been important to Psalms studies. Scholarly advances on these fronts are easily observed. Instead of working the same ground once more, this article sets off on a different path. It aims to read Hebrew poetry, especially the Psalter, with poets. It...

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Detalles Bibliográficos
Autor principal: Jones, Ethan C. (Autor)
Tipo de documento: Electrónico Artículo
Lenguaje:Inglés
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Publicado: Cambridge Univ. Press 2022
En: Scottish journal of theology
Año: 2022, Volumen: 75, Número: 4, Páginas: 329-346
(Cadenas de) Palabra clave estándar:B Bibel. Psalmen / Herbert, George 1593-1633 / Thomas, Ronald S. 1913-2000 / Guite, Malcolm 1957- / Lírica
Clasificaciones IxTheo:CD Cristianismo ; Cultura
HB Antiguo Testamento
KAH Edad Moderna
KAJ Época contemporánea
Otras palabras clave:B Theology
B Psalms
B Malcolm Guite
B George Herbert
B R. S. Thomas
B Poetry
Acceso en línea: Volltext (lizenzpflichtig)
Volltext (lizenzpflichtig)
Descripción
Sumario:Genre, parallelism and canonical shaping have long been important to Psalms studies. Scholarly advances on these fronts are easily observed. Instead of working the same ground once more, this article sets off on a different path. It aims to read Hebrew poetry, especially the Psalter, with poets. It intends to listen carefully to three influential voices: George Herbert (1593-1633), R. S. Thomas (1913-2000) and Malcolm Guite (1957-). These poets help shape our imagination and prepare us to read the Psalms as poetry. Specifically, this results in sounds, repetitions, the constraining and freeing possibilities of forms, and theological themes taking centre stage in experiencing the poetry of Psalms.
ISSN:1475-3065
Obras secundarias:Enthalten in: Scottish journal of theology
Persistent identifiers:DOI: 10.1017/S0036930622000618