Forming the imagination: Reading the Psalms with poets

Genre, parallelism and canonical shaping have long been important to Psalms studies. Scholarly advances on these fronts are easily observed. Instead of working the same ground once more, this article sets off on a different path. It aims to read Hebrew poetry, especially the Psalter, with poets. It...

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Détails bibliographiques
Auteur principal: Jones, Ethan C. (Auteur)
Type de support: Électronique Article
Langue:Anglais
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Publié: Cambridge Univ. Press 2022
Dans: Scottish journal of theology
Année: 2022, Volume: 75, Numéro: 4, Pages: 329-346
Sujets / Chaînes de mots-clés standardisés:B Bibel. Psalmen / Herbert, George 1593-1633 / Thomas, Ronald S. 1913-2000 / Guite, Malcolm 1957- / Poésie
Classifications IxTheo:CD Christianisme et culture
HB Ancien Testament
KAH Époque moderne
KAJ Époque contemporaine
Sujets non-standardisés:B Theology
B Psalms
B Malcolm Guite
B George Herbert
B R. S. Thomas
B Poetry
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Résumé:Genre, parallelism and canonical shaping have long been important to Psalms studies. Scholarly advances on these fronts are easily observed. Instead of working the same ground once more, this article sets off on a different path. It aims to read Hebrew poetry, especially the Psalter, with poets. It intends to listen carefully to three influential voices: George Herbert (1593-1633), R. S. Thomas (1913-2000) and Malcolm Guite (1957-). These poets help shape our imagination and prepare us to read the Psalms as poetry. Specifically, this results in sounds, repetitions, the constraining and freeing possibilities of forms, and theological themes taking centre stage in experiencing the poetry of Psalms.
ISSN:1475-3065
Contient:Enthalten in: Scottish journal of theology
Persistent identifiers:DOI: 10.1017/S0036930622000618