Aspects of Roman dance culture: religious cults, theatrical entertainments, metaphorical appropriations

The fourteen chapters of this e-book examine Roman dance by looking at its role in Roman religion, by following it into the theatre and the banquet hall, and by tracing its (metaphorical) presence in a variety of literary contexts, including rhetorical treatises, biography, and lyric poetry. These d...

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Detalhes bibliográficos
Outros Autores: Schlapbach, Karin 1969- (Editor)
Tipo de documento: Recurso Electrónico Livro
Idioma:Inglês
Alemão
Francês
Verificar disponibilidade: HBZ Gateway
Fernleihe:Fernleihe für die Fachinformationsdienste
Publicado em: Stuttgart Franz Steiner Verlag [2022]
Em: Potsdamer altertumswissenschaftliche Beiträge (Band 80)
Ano: 2022
Coletânea / Revista:Potsdamer altertumswissenschaftliche Beiträge Band 80
(Cadeias de) Palavra- chave padrão:B Römisches Reich / Dança / Cultura / Religião
Outras palavras-chave:B Papyrology
B Dance and the senses
B Coletânea de artigos
B Comedy and tragedy
B Performance studies
B Archaeology of Roman dance
B Greek and Latin epigraphy
B Roman religious cults
B Roman dance
B Latin literature
B Roman pantomime
B Dance and Roman politics
B Dance as metaphor
B Roman theatre
Acesso em linha: Volltext (kostenfrei)
Volltext (kostenfrei)
Volltext (kostenfrei)
Rights Information:CC-BY-NC-ND
Parallel Edition:Recurso Electrónico
Descrição
Resumo:The fourteen chapters of this e-book examine Roman dance by looking at its role in Roman religion, by following it into the theatre and the banquet hall, and by tracing its (metaphorical) presence in a variety of literary contexts, including rhetorical treatises, biography, and lyric poetry. These different approaches, which draw on literary texts, inscriptions, documentary papyri, the visual record, and modern reperformances, converge in illustrating a rich and vibrant dance culture which prided itself on indigenous dances no less than on its capacity to absorb, transform, or revive the dance traditions of their Etruscan or Greek neighbours. Dance was a cultural practice which was able to affirm Romanness, for instance in the case of the Salian priests, but also to raise the question of what was Roman in the first place, for instance when the originally Greek pantomime was embraced by Augustus and came to be known as "Italian style of dancing". Together the fourteen case studies offer fresh perspectives on an underexplored topic, shedding light on the manifold contexts, functions, practitioners, and appreciations of Roman dance.
ISBN:3515133259
Persistent identifiers:DOI: 10.25162/9783515133258