Eisodus as Exodus: The Song of the Sea (Exod 15) Reconsidered
This study continues a line of inquiry from the author’s previous essay regarding the 12th century BCE battle traditions embedded in the Song of Deborah (Judg 5) as the basis for a nascent Exodus ideology surfacing in the Song of the Sea (Exod 15). Exod 15 is identified as developing an agrarian ide...
| Auteur principal: | |
|---|---|
| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Peeters
2011
|
| Dans: |
Biblica
Année: 2011, Volume: 92, Numéro: 3, Pages: 321-346 |
| Sujets non-standardisés: | B
Exodus 15
B Song of the Sea B Exodus Ideology B Song of Deborah B Judges 5 B National Identity |
| Accès en ligne: |
Volltext (JSTOR) Volltext (kostenfrei) |
| Édition parallèle: | Non-électronique
|
| Résumé: | This study continues a line of inquiry from the author’s previous essay regarding the 12th century BCE battle traditions embedded in the Song of Deborah (Judg 5) as the basis for a nascent Exodus ideology surfacing in the Song of the Sea (Exod 15). Exod 15 is identified as developing an agrarian ideal into a basis for national identity: Israel’s successful struggles against competing Canaanite military forces echoing earlier Egyptian imperial hegemony is liturgized into a myth where YHWH defeats the Egyptian foe and then settles his own sacred agrarian estate. |
|---|---|
| ISSN: | 2385-2062 |
| Contient: | Enthalten in: Biblica
|