The Cross and the Lotus Flower: Reinventing Christian Art in Early Modern India

It has long been acknowledged that the success of the Jesuit mission in Goa, India, was due in part to its strategic use of art and architecture to promote the ideals of the order and to garner local support. This article instead focuses on art produced in the modern-day state of Kerala, where the a...

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Κύριος συγγραφέας: Benay, Erin (Συγγραφέας)
Τύπος μέσου: Ηλεκτρονική πηγή Άρθρο
Γλώσσα:Αγγλικά
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Έκδοση: Sixteenth Century Journal Publishers, Inc. 2021
Στο/Στη: The sixteenth century journal
Έτος: 2021, Τόμος: 52, Τεύχος: 2, Σελίδες: 277-312
Σημειογραφίες IxTheo:CD Χριστιανισμός και Πολιτισμός
KAH Εκκλησιαστική Ιστορία 1648-1913, Νεότερη Εποχή
KBM Ασία
KDB Καθολική Εκκλησία
RJ Ιεραποστολή, Ιεραποστολική επιστήμη
Άλλες λέξεις-κλειδιά:B GOA (India : State)
B Jesuit missions
B Material Culture
B Jesuit history
B KERALA (India)
B Jesuits
B CHRISTIAN art & symbolism
B HINDU art & symbolism
Περιγραφή
Σύνοψη:It has long been acknowledged that the success of the Jesuit mission in Goa, India, was due in part to its strategic use of art and architecture to promote the ideals of the order and to garner local support. This article instead focuses on art produced in the modern-day state of Kerala, where the advent of a material culture of Christianity was complicated by a preexisting community of Christians who trace their lineage to the arrival of Saint Thomas the Apostle in the first century. This essay argues that it was through the incorporation of Hindu motifs and ideology in these objects that Thomas Christians forged and preserved their own religious identities despite the encroachment of the Jesuits. In so doing, the practice of "global" Renaissance art history is expanded to account for the pluralistic and performative function of art in the contact zone between cultures.
ISSN:2326-0726
Περιλαμβάνει:Enthalten in: The sixteenth century journal