Bagan Murals and the Sino-Tibetan World
Whereas the historical connections of Bagan with India, Ceylon or China from the eleventh to thirteenth centuries are generally known, the art-historical consequences of these exchanges have only partly been appreciated. The purpose of this paper is to present unpublished aspects of late thirteenth-...
| Κύριος συγγραφέας: | |
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| Τύπος μέσου: | Ηλεκτρονική πηγή Άρθρο |
| Γλώσσα: | Αγγλικά |
| Έλεγχος διαθεσιμότητας: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Έκδοση: |
Brill
2018
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| Στο/Στη: |
Dynamics in the history of religions
Έτος: 2018, Τόμος: 10, Σελίδες: 19-51 |
| Άλλες λέξεις-κλειδιά: | B
Religion in Asien
B Ostasien B Asien-Studien B Religionswissenschaften B Ιστορία (μοτίβο) B Θρησκεία (μοτίβο) |
| Διαθέσιμο Online: |
Πιθανολογούμενα δωρεάν πρόσβαση Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Σύνοψη: | Whereas the historical connections of Bagan with India, Ceylon or China from the eleventh to thirteenth centuries are generally known, the art-historical consequences of these exchanges have only partly been appreciated. The purpose of this paper is to present unpublished aspects of late thirteenth-century murals found in some temples at the site and which are more particularly related to the Yuan connection. The overwhelming presence of ornamental motifs with a Chinese or Mongol origin aside, specific iconographic motifs, e.g., the representation of Mongols, the depiction of dreadful door-keepers, or the image of the short-necked Buddha will presently retain our attention. |
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| Περιλαμβάνει: | Enthalten in: Dynamics in the history of religions
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| Persistent identifiers: | DOI: 10.1163/9789004366152_003 |