On the Tai Chi Spatial Pattern in Ursula Le Guin’s The Left Hand of Darkness
On the basis of Gabriel Zoran’s theory of spatial pattern, particularly the 3 levels of world reconstruction, the pattern of narrative space in Ursula Le Guin’s The Left Hand of Darkness is figured out. A spatial pattern of Tai Chi diagram is established on the textual level, the chronotopic level a...
Autor principal: | |
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Tipo de documento: | Recurso Electrónico Artigo |
Idioma: | Inglês |
Verificar disponibilidade: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Publicado em: |
David Publishing Company
2016
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Em: |
Cultural and religious studies
Ano: 2016, Volume: 4, Número: 10, Páginas: 614-622 |
Outras palavras-chave: | B
Narrative Space
B carrier bag B chronotype B Tai Chi spatial pattern |
Acesso em linha: |
Presumably Free Access Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |