On the Tai Chi Spatial Pattern in Ursula Le Guin’s The Left Hand of Darkness
On the basis of Gabriel Zoran’s theory of spatial pattern, particularly the 3 levels of world reconstruction, the pattern of narrative space in Ursula Le Guin’s The Left Hand of Darkness is figured out. A spatial pattern of Tai Chi diagram is established on the textual level, the chronotopic level a...
主要作者: | |
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格式: | 電子 Article |
語言: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
出版: |
David Publishing Company
2016
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In: |
Cultural and religious studies
Year: 2016, 卷: 4, 發布: 10, Pages: 614-622 |
Further subjects: | B
Narrative Space
B carrier bag B chronotype B Tai Chi spatial pattern |
在線閱讀: |
Presumably Free Access Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |