Satyr-Play in the Statesman and the Unity of Plato’s Trilogy

At Statesman (Plt.) 291a–c and 303c–d, Plato compares the so-called statesmen of all existing constitutions to a motley crew of lions, centaurs, satyrs, and other beasts, and the entire section of the Statesman devoted to law and constitutions (291c–303c) to a satyr-play of sorts. This paper argues...

Descripción completa

Guardado en:  
Detalles Bibliográficos
Autor principal: Murr, Dimitri El (Autor)
Tipo de documento: Electrónico Artículo
Lenguaje:Inglés
Verificar disponibilidad: HBZ Gateway
Journals Online & Print:
Gargar...
Fernleihe:Fernleihe für die Fachinformationsdienste
Publicado: Brill 2023
En: Phronesis
Año: 2023, Volumen: 68, Número: 2, Páginas: 127-166
Otras palabras clave:B Statesman
B Socrates
B Theaetetus
B Plato
B Sophist
B Tragedy
B satyr-play
Acceso en línea: Presumably Free Access
Volltext (lizenzpflichtig)
Volltext (lizenzpflichtig)
Descripción
Sumario:At Statesman (Plt.) 291a–c and 303c–d, Plato compares the so-called statesmen of all existing constitutions to a motley crew of lions, centaurs, satyrs, and other beasts, and the entire section of the Statesman devoted to law and constitutions (291c–303c) to a satyr-play of sorts. This paper argues that these thought-provoking images are best understood as literary devices which, in addition to other dramatic elements in the Theaetetus and Sophist, help to bolster the unity of the Theaetetus-Sophist-Statesman trilogy and its apologetic agenda concerning Socrates.
ISSN:1568-5284
Obras secundarias:Enthalten in: Phronesis
Persistent identifiers:DOI: 10.1163/15685284-bja10069