Satyr-Play in the Statesman and the Unity of Plato’s Trilogy
At Statesman (Plt.) 291a–c and 303c–d, Plato compares the so-called statesmen of all existing constitutions to a motley crew of lions, centaurs, satyrs, and other beasts, and the entire section of the Statesman devoted to law and constitutions (291c–303c) to a satyr-play of sorts. This paper argues...
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Формат: | Электронный ресурс Статья |
Язык: | Английский |
Проверить наличие: | HBZ Gateway |
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Fernleihe: | Fernleihe für die Fachinformationsdienste |
Опубликовано: |
Brill
2023
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В: |
Phronesis
Год: 2023, Том: 68, Выпуск: 2, Страницы: 127-166 |
Другие ключевые слова: | B
Statesman
B Socrates B Theaetetus B Plato B Sophist B Tragedy B satyr-play |
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Presumably Free Access Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
Итог: | At Statesman (Plt.) 291a–c and 303c–d, Plato compares the so-called statesmen of all existing constitutions to a motley crew of lions, centaurs, satyrs, and other beasts, and the entire section of the Statesman devoted to law and constitutions (291c–303c) to a satyr-play of sorts. This paper argues that these thought-provoking images are best understood as literary devices which, in addition to other dramatic elements in the Theaetetus and Sophist, help to bolster the unity of the Theaetetus-Sophist-Statesman trilogy and its apologetic agenda concerning Socrates. |
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ISSN: | 1568-5284 |
Второстепенные работы: | Enthalten in: Phronesis
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Persistent identifiers: | DOI: 10.1163/15685284-bja10069 |