Martin Luther and the metaphysics of music

This article traces convergences and differences within the classical philosophical tradition of musica and its later Christianisation, exploring Martin Luther's engagement with such metaphysical accounts of music's significance. Recent scholarship on Luther's agreement with a reformu...

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Détails bibliographiques
Auteur principal: Crockford, James R. W. (Auteur)
Type de support: Électronique Article
Langue:Anglais
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Publié: Cambridge Univ. Press 2023
Dans: Scottish journal of theology
Année: 2023, Volume: 76, Numéro: 4, Pages: 357-368
Sujets / Chaînes de mots-clés standardisés:B Luther, Martin 1483-1546 / Musique / Métaphysique / Création
Classifications IxTheo:KAG Réforme; humanisme; Renaissance
KDD Église protestante
NBD Création
RD Hymnologie
VA Philosophie
Sujets non-standardisés:B Creation
B Chanson
B Martin Luther
B Music
B Plato
B Metaphysics
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Résumé:This article traces convergences and differences within the classical philosophical tradition of musica and its later Christianisation, exploring Martin Luther's engagement with such metaphysical accounts of music's significance. Recent scholarship on Luther's agreement with a reformulated Boethian account of music is critiqued, distancing Luther from the main currents of this tradition. The article goes on to explore the way Luther subverts Platonic emphases in his theological understanding of music, drawing on a longer tradition of criticism for musical cosmologies. The article concludes with an extended reading of Luther's most substantial hymnal preface, to articulate his alternative, dynamic account of music in creation, which grounds musical realities in the gifted contingencies of human musicianship.
ISSN:1475-3065
Contient:Enthalten in: Scottish journal of theology
Persistent identifiers:DOI: 10.1017/S0036930623000078