THE CONCEPTS OF CENSORSHIP AND SAFETY IN LIBYAN CINEMA: BEFORE AND AFTER THE LIBYAN UPRISING
This research examines the problem of censorship in the Libyan context from a historical and ideological standpoint. Libyan cinema has not gotten as much academic attention as Middle Eastern nations like Egypt, Syria, Lebanon, and Palestine. In addition to providing a historical overview of Libyan c...
| Autor principal: | |
|---|---|
| Tipo de documento: | Recurso Electrónico Artigo |
| Idioma: | Inglês |
| Verificar disponibilidade: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publicado em: |
University of Innsbruck in cooperation with the John Hick Centre for Philosophy of Religion at the University of Birmingham
2023
|
| Em: |
European journal for philosophy of religion
Ano: 2023, Volume: 15, Número: 1, Páginas: 175-189 |
| Outras palavras-chave: | B
Censorship
B Safety B After Gaddhafi B Libya B Cinema B Philosophy |
| Acesso em linha: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Resumo: | This research examines the problem of censorship in the Libyan context from a historical and ideological standpoint. Libyan cinema has not gotten as much academic attention as Middle Eastern nations like Egypt, Syria, Lebanon, and Palestine. In addition to providing a historical overview of Libyan cinema, this study carefully investigates the settings that influenced Libyan national cinema from the perspectives of people who work in this industry there. To learn more about the problems with censorship in Libyan cinema before and after 2011, 25 individuals were interviewed informally between July 2018 and February 2019. Twenty-five people were the maximum because many were reluctant to give interviews due to safety concerns, which participants also mentioned. Data analysis was done using Nvivo 14. The data gathered identified two problems—safety and censorship—that have long plagued Libyan cinema. All panelists agreed that the Libyan film industry needs to advance in governing authorities, censorship, inventiveness, and how films engage with society's members. |
|---|---|
| Obras secundárias: | Enthalten in: European journal for philosophy of religion
|
| Persistent identifiers: | DOI: 10.24204/ejpr.2021.3792 |