Global arts on mission: Longitudinal perspectives
The conference theme, “Global Arts on Mission: Embedded, Embodied, and Empowered” explored the arts in mission for the first time in the 50-year history of the ASM. This article features the Presidential address from the annual meetings. Its purpose was to consider the dynamics of contextualized art...
| Auteur principal: | |
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Sage
2024
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| Dans: |
Missiology
Année: 2024, Volume: 52, Numéro: 1, Pages: 7-21 |
| Classifications IxTheo: | AX Dialogue interreligieux CD Christianisme et culture KAJ Époque contemporaine KBN Afrique subsaharienne |
| Sujets non-standardisés: | B
global–local arts dialectic
B musicking B cities of the world B global arts B global contexts B Interfaith Dialogue |
| Accès en ligne: |
Volltext (lizenzpflichtig) |
| Résumé: | The conference theme, “Global Arts on Mission: Embedded, Embodied, and Empowered” explored the arts in mission for the first time in the 50-year history of the ASM. This article features the Presidential address from the annual meetings. Its purpose was to consider the dynamics of contextualized arts on mission over the last 45 years drawing from three case studies of my work as a missiologist-cum-ethnomusicologist. The theoretical concept of musicking provides a foundation for exegeting musical cultures, revealing the dialogical nature of shared musical performance. Not only does it point to how the nations around the world continue to discover their unique voices in raising songs of witness and worship to the Lord Jesus Christ, but it also presents longitudinal perspectives of the enduring impact of global arts on mission. |
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| ISSN: | 2051-3623 |
| Contient: | Enthalten in: Missiology
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| Persistent identifiers: | DOI: 10.1177/00918296231202960 |