Ferrer-Ventosa, R. (2024). On the Perfect Sphere: The Preference for Circular Compositions for Depicting the Universe in Medieval and Early Modern Art. Religions, 15(2), . doi:10.3390/rel15020171
Chicago Style (17th ed.) CitationFerrer-Ventosa, Roger. "On the Perfect Sphere: The Preference for Circular Compositions for Depicting the Universe in Medieval and Early Modern Art." Religions 15, no. 2 (2024), https://doi.org/10.3390/rel15020171.
MLA (8th ed.) CitationFerrer-Ventosa, Roger. "On the Perfect Sphere: The Preference for Circular Compositions for Depicting the Universe in Medieval and Early Modern Art." Religions, vol. 15, no. 2, 2024, https://doi.org/10.3390/rel15020171.
Warning: These citations may not always be 100% accurate.