Lament, Liturgy, and the Shape of Theological Repentance: A Response to Anthony Reddie
In this reflection, I respond to Anthony Reddie's reflections and assertions about the sacramentality of black flesh in a world shaped by white supremacy. I locate myself as Korean American and refer to my experience of ministering to university students during the rise of Black Lives Matter in...
| Главный автор: | |
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| Формат: | Электронный ресурс Статья |
| Язык: | Английский |
| Проверить наличие: | HBZ Gateway |
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Опубликовано: |
Sage
2024
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| В: |
Studies in Christian ethics
Год: 2024, Том: 37, Выпуск: 1, Страницы: 49-53 |
| Другие ключевые слова: | B
Anthony Reddie
B Black Lives Matter B Titus Kaphar B Liturgy B Repentance B Lament B Robert Glasper |
| Online-ссылка: |
Presumably Free Access Volltext (lizenzpflichtig) |
| Итог: | In this reflection, I respond to Anthony Reddie's reflections and assertions about the sacramentality of black flesh in a world shaped by white supremacy. I locate myself as Korean American and refer to my experience of ministering to university students during the rise of Black Lives Matter in the US. Instead of offering cognate claims for the sacramentality of Asian flesh, I ask what theological repentance should look like in light of the historical profaning of the black body. Using the work of two black American artists, jazz musician Robert Glasper and painter Titus Kaphar, I offer beginning reflections on how our liturgies and practices need to change as part of theological repentance—including lament. |
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| ISSN: | 0953-9468 |
| Второстепенные работы: | Enthalten in: Studies in Christian ethics
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| Persistent identifiers: | DOI: 10.1177/09539468231213535 |