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|a 013698979
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|a 0199219281
|c (hbk.) : £55.00 hbk. : £55.00
|9 0-19-921928-1
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|a 9780199219285
|c : alk. paper
|9 978-0-19-921928-5
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|a Murphy, Francesca Aran
|d 1960-
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| 109 |
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|a Murphy, Francesca Aran 1960-
|a Murphy, Francesca 1960-
|a Murphy, Francesca A. 1960-
|a Aran Murphy, Francesca 1960-
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| 245 |
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|a God is not a story
|b realism revisited
|c Francesca Aran Murphy
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| 250 |
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|a 1. publ.
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| 264 |
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|a Oxford [u.a.]
|b Oxford University Press
|c 2007
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| 300 |
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|a VIII, 356 S
|c 24 cm
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| 336 |
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|a Text
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| 500 |
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|a Includes bibliographical references (p. [335]-345) and indexes
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|a Introduction : spectacle -- God is not a story -- Two types of narrative theology : story Barthianism and grammatical Thomism -- What is narrative theology? -- Some hints at an historical context for narrative theology -- Robert Jenson : story Thomism -- Why the movie parallel? -- The church as anonymous celebrity -- Introduction : who makes the church? -- Non-foundationalism -- The hermeneutics of story Barthianism -- The idea of resurrection as foundational -- The movie actor -- The movie and its audience -- Identity equated to story -- The Gospels are not codes -- If the church is everything, everything is the church -- Love makes the church -- Naming God -- Method and content -- The 'why proof' of God's existence -- Robert Jenson gets to the heart of grammatical Thomism -- The why-proof as a contingency cliff-hanger -- Naming God into existence in story-Barthian theology : hermeneutics -- 'God' as one character amongst others -- On not raising the game -- From theodicy to melodrama -- An unresolved problem of evil makes life melodramatic -- First steps in characterizing melodrama -- 'It is a rare melodrama that does not have a villain' -- God as villain in narrative readings of the Bible -- Melodrama : the aftermath of tragedy and of comedy -- The logical necessity of evil : story Thomism -- The unknowability of God as a methodological principle -- A Jansenist illustration of analogy -- A close run in with death -- Liberty, equality, fraternity : Jacques Louis David -- Marat transignified -- The 'why' question revisited : the ontological distinction -- Resurrection as poetic justice -- The natural desire for God : 'religation' -- An argument and the analogy of natality -- Cinematizing the trinity -- Introduction : modalism, tritheism, and psychologism -- What you see is what you get : Herbert McCabe -- Three strategies in trinitarian theology -- Trinitarian monotheism versus descriptive trinitarianism -- Why Jenson is a cinematic modalist -- God in the eye of the camera -- The cartoon trinity : digitalized relationships -- An odd definition of modalism in story Barthianism and narrative Thomism -- Monotheistic trinitarian theology -- Conclusion : a God who is love -- Futurity -- Story Thomism as apocalypticism -- A God who is love -- Truth and personality -- Dare we hope that God exists? -- From analogy to theo-drama -- The eucharistic church -- Melodrama or theo-drama -- Predestination and eschatology : 'time...must be lived.'
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|a Narrative Theology
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|a Narrative Theology
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|a Theology, Doctrinal
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|u http://www.loc.gov/catdir/toc/ecip0713/2007010139.html
|x Verlag
|y Table of contents only
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|a mteo
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|i Blocktest
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|a BG 2200
|b Theologische Hermeneutik
|k Fundamentaltheologie
|k Hermeneutik, Wissenschaftstheorie und Methodenlehre
|k Hermeneutik
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| STA |
0 |
0 |
|a Idea of God,God,God,God,Narrative theology
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| STB |
0 |
0 |
|a Image de Dieu,Image de Dieu,Théologie narrative
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| STC |
0 |
0 |
|a Concepto de Dios,Concepto de Dios,Teología narrativa
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| STD |
0 |
0 |
|a Immagine di Dio,Immagine di Dio,Teologia narrativa
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| STE |
0 |
0 |
|a 叙事神学,神的概念,上帝的概念
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| STF |
0 |
0 |
|a 敍事神學,神的概念,上帝的概念
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| STG |
0 |
0 |
|a Conceito de Deus,Conceito de Deus,Teologia narrativa
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| STH |
0 |
0 |
|a Нарративное богословие,Представление Бога (мотив),Представление Бога
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| STI |
0 |
0 |
|a Αφηγηματική θεολογία,Εικόνα του Θεού (μοτίβο),Εικόνα του Θεού
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| SYG |
0 |
0 |
|a Gottesbegriff,Gottesgedanke,Gottesidee,Gotteskonzept,Gottesbild,Götterbild,Gott , Erzählende Theologie
|