The lives of Chinese objects: Buddhism, imperialism and display

This is the biography of a set of rare Buddhist statues from China. Their extraordinary adventures take them from the Buddhist temples of fifteenth-century Putuo - China's most important pilgrimage island - to their seizure by a British soldier in the First Opium War in the early 1840s, and on...

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Detalles Bibliográficos
Autor principal: Tythacott, Louise (Autor)
Tipo de documento: Electrónico Libro
Lenguaje:Inglés
Servicio de pedido Subito: Pedir ahora.
Verificar disponibilidad: HBZ Gateway
Fernleihe:Fernleihe für die Fachinformationsdienste
Publicado: New York Berghahn Books c2011
En:Año: 2011
Colección / Revista:Museums and collections v. 3
Otras palabras clave:B Ceremonial objects ; China ; Putuo Shan Island ; History
B Putuo Shan Island (China) ; Antiquities
B Bronze sculpture (China) (Putuo Shan Island) History
B Buddhist sculpture (China) (Putuo Shan Island) History
B Putuo Shan Island (China) Antiquities
B Ceremonial objects (China) (Putuo Shan Island) History
B Museum exhibits ; England ; Liverpool
B Cultural property Repatriation (China)
B Museum exhibits (England) (Liverpool)
B Buddhist sculpture ; China ; Putuo Shan Island ; History
B Ethnological museums and collections (England) (Liverpool)
B Bronze sculpture ; China ; Putuo Shan Island ; History
B Electronic books
B Ethnological museums and collections ; England ; Liverpool
B Cultural property ; Repatriation ; China
Acceso en línea: Volltext (Aggregator)
Volltext (Verlag)
Volltext (Verlag)
Parallel Edition:Print version: The Lives of Chinese Objects : Buddhism, Imperialism and Display:
Descripción
Sumario:This is the biography of a set of rare Buddhist statues from China. Their extraordinary adventures take them from the Buddhist temples of fifteenth-century Putuo - China's most important pilgrimage island - to their seizure by a British soldier in the First Opium War in the early 1840s, and on to a starring role in the Great Exhibition of 1851. In the 1850s, they moved in and out of dealers' and antiquarian collections, arriving in 1867 at Liverpool Museum. Here they were re-conceptualized as specimens of the 'Mongolian race' and, later, as examples of Oriental art. The statues escaped the bom
Notas:Includes bibliographical references and index
ISBN:085745238X