Genre and narrative coherence in the Acts of the Apostles
Focusing specifically on the issue of genre methodology in Acts, Bale presents work which will have clear ramifications for the study of biblical texts in general. The first part of the work surveys the state of genre theory in Acts scholarship and demonstrates its inadequacy for both classifying an...
| Main Author: | |
|---|---|
| Format: | Electronic Book |
| Language: | English |
| Subito Delivery Service: | Order now. |
| Check availability: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
London
Bloomsbury Publishing
2015
|
| In: |
Library of New Testament studies (514)
Year: 2015 |
| Reviews: | [Rezension von: Bale, Alan J., Genre and narrative coherence in the Acts of the Apostles] (2017) (Backhaus, Knut, 1960 -)
[Rezension von: Bale, Alan J., Genre and narrative coherence in the Acts of the Apostles] (2015) (van der Bergh, R. H.) |
| Series/Journal: | Library of New Testament studies
514 |
| Standardized Subjects / Keyword chains: | B
Acts of the Apostles
/ Narrativity
/ Textual type
B Paul Apostle B Paul Apostle / Acts of the Apostles |
| IxTheo Classification: | HC New Testament |
| Further subjects: | B
Narrative theory
B Literary genre B Electronic books B Thesis B Acts of the Apostles |
| Online Access: |
Volltext (Aggregator) |
| Parallel Edition: | Non-electronic
|
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| 245 | 1 | 0 | |a Genre and narrative coherence in the Acts of the Apostles |c Alan Bale |
| 264 | 1 | |a London |b Bloomsbury Publishing |c 2015 | |
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| 505 | 8 | 0 | |a CONTENTS; Part IMETHODOLOGY; Acknowlegments; Abbreviations; Preface; INTRODUCTION; I. Orientation; II. Outline of the Study; III. Historicity, Fiction and the Genre of Acts; IV. The Problem of Classification; V. The Rational of Classifying; Chapter 1 -- PRELIMINARIES; I. My Location in the Debate; II. Unity with Luke's Gospel; III. Preface; IV. 'We' Passages; V. Dating; VI. Sources; VII. Textual Problems; VIII. Terminology; Chapter 2 -- A SURVEY OF GENRE PROPOSALS; I. Introduction; II. A Look at Some Proposals; III. Pick a Box, Any Box: The Options So Far; Chapter 3 -- THE THEORY OF GENRE |
| 505 | 8 | 0 | |a I. IntroductionII. Genre, Classification, Hybridity; III. Genre, Conventions, Expectations; IV. Generic Hybridisation in Interpretation; V. Conclusion: Genre and Narrative Coherence; Chapter 4HISTORY AND FICTION; I. Introduction; II. Fiction and Cognition; III. The Conventions of Reading; IV. Conclusion to Part I: The Creation of a Cognitive Environment for Acts; Part II -- THE STUDIES; INTRODUCTION TO PART II: CONFIGURING THE NARRATIVE OF ACTS; I. Introduction; II. Intertext and Convention: From Beginning to End; III. Acts 1.1-11: Dropped into a Dream |
| 505 | 8 | 0 | |a Chapter 5THE AMBIGUOUS ORACLE IN ACTS 1.6I. The Oracle and the Plot; II. Paul's Role; III. Support from Oracular Literature; IV. Conclusion; Chapter 6 -- THE CONFIGURATION OF PAUL'S APOSTOLIC STATUS; I. Introduction; II. Paul as Apostle in Scholarship; III. Paul's Parallels; IV. The Compound Argument: The Example of Socrates; V. Apostolic Status; VI. Refraction of Intentionality and Configurative Value; VII. Luke's Narrative Argument: A Summary; VIII. Parallels in Ancient Literature; IX. Conclusion; Chapter 7 -- COMEDY AND CHARACTERISATION IN ACTS; I. Introduction: The Bible and Comedy |
| 505 | 8 | 0 | |a II. Humorous Episodes in ActsIII. The Problem of the Miletus Speech: Acts 20.17-38; IV. An Analysis of the Speech; V. Some Parallels; VI. Conclusion; Chapter 8SUMMARY AND CONCLUSIONS; I. Summary; II. Conclusions; III. Potential Avenues of Future Research; Bibliography; Index of References; Index of Authors |
| 520 | |a Focusing specifically on the issue of genre methodology in Acts, Bale presents work which will have clear ramifications for the study of biblical texts in general. The first part of the work surveys the state of genre theory in Acts scholarship and demonstrates its inadequacy for both classifying and interpreting Acts. Bale constructs a new genre model rooted in contemporary genre theory, tackling the problematic issue in Biblical scholarship of the relationship between history and fiction in literature. From this theoretical analysis Bale presents a new, pragmatic model for genre which is non | ||
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