The People of God in the Apocalypse: discourse, structure, and exegesis

Stephen Pattemore examines passages within Revelation 4:1–22:21 that depict the people of God as actors in the apocalyptic drama and infers what impact these passages would have had on the self-understanding and behaviour of the original audience of the work. He uses Relevance Theory, a development...

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Bibliographische Detailangaben
1. VerfasserIn: Pattemore, Stephen W. (VerfasserIn)
Medienart: Elektronisch Buch
Sprache:Englisch
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Fernleihe:Fernleihe für die Fachinformationsdienste
Veröffentlicht: Cambridge Cambridge University Press 2004.
In:Jahr: 2004
Rezensionen:The People of God in the Apocalypse: Discourse, Structure and Exegesis. By Stephen Pattemore. Pp. xvi + 256. (Society for New Testament Studies Monograph Series, 128.) Cambridge: Cambridge University Press, 2004. isbn 0 521 83698 0. £45/75 (2005) (Boxall, Ian)
Schriftenreihe/Zeitschrift:Society for New Testament Studies monograph series 128
normierte Schlagwort(-folgen):B Bibel. Offenbarung des Johannes / Volk Gottes
IxTheo Notationen:HC Neues Testament
weitere Schlagwörter:B Relevance
B Bible. Revelation Criticism, interpretation, etc
B Bible ; Revelation ; Criticism, interpretation, etc
Online Zugang: Volltext (lizenzpflichtig)
Parallele Ausgabe:Nicht-Elektronisch
Print version: 9780521836982
Beschreibung
Zusammenfassung:Stephen Pattemore examines passages within Revelation 4:1–22:21 that depict the people of God as actors in the apocalyptic drama and infers what impact these passages would have had on the self-understanding and behaviour of the original audience of the work. He uses Relevance Theory, a development in the linguistic field of pragmatics, to help understand the text against the background of allusion to other texts. Three important images are traced. The picture of the souls under the altar (6:9–11) is found to govern much of the direction of the text with its call to faithful witness and willingness for martyrdom. Even the militant image of a messianic army (7:1–8, 14:1–5) urges the audience in precisely the same direction. Both images combine in the final image of the bride, the culmination of challenge and hope traced briefly in the New Jerusalem visions.
Beschreibung:Title from publisher's bibliographic system (viewed on 05 Oct 2015)
ISBN:0511488157
Persistent identifiers:DOI: 10.1017/CBO9780511488153