Fixing Ground Zero: Race and Religion in Francis Lawrence’s I Am Legend
Francis Lawrence’s I Am Legend is a complex intertext of Matheson’s novel of the same name and its two previous film adaptations. While the film attempts to depict racism as monstrous, the frequent invocation of 9/11 imagery and Christian symbolism throughout the film recodes the vampiric dark-seeke...
| Κύριος συγγραφέας: | |
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| Τύπος μέσου: | Ηλεκτρονική πηγή Άρθρο |
| Γλώσσα: | Αγγλικά |
| Έλεγχος διαθεσιμότητας: | HBZ Gateway |
| Journals Online & Print: | Φόρτωση...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Έκδοση: |
2017
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| Στο/Στη: |
The journal of religion and film
Έτος: 2017, Τόμος: 21, Τεύχος: 2, Σελίδες: 1-27 |
| Άλλες λέξεις-κλειδιά: | B
Francis Lawrence
I Am Legend
The Omega Man
Christianity
Ισλάμ (μοτίβο)
Islamophobia
Crusades
Bush
11 / 9
Vampires
Monsters
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| Διαθέσιμο Online: |
Volltext (kostenfrei) |
| Σύνοψη: | Francis Lawrence’s I Am Legend is a complex intertext of Matheson’s novel of the same name and its two previous film adaptations. While the film attempts to depict racism as monstrous, the frequent invocation of 9/11 imagery and Christian symbolism throughout the film recodes the vampiric dark-seekers as radical Islamic terrorists. This serves to further enshrine an us/Christians vs. them/Muslim dichotomy present in post-9/11 America, a dichotomy that the film presents as “curable” through the spread of Christianity and the fall of Islam. |
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| ISSN: | 1092-1311 |
| Περιλαμβάνει: | Enthalten in: The journal of religion and film
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