A mystical cosmopolitanism: Sufi Hip Hop and the aesthetics of Islam in Dakar

For many, any alliance between ‘Islam' and ‘Hip Hop' is an unholy one, whether for bringing Hip Hop into Islam or vice versa. Yet many of Senegal's prominent rappers today are committed adherents of the Fayḍa Tijāniyya Sufi (mystical Islamic) movement who rap about religious knowledge...

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Detalhes bibliográficos
Autor principal: Hill, Joseph (Author)
Tipo de documento: Recurso Electrónico Artigo
Idioma:Inglês
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Publicado em: Taylor and Francis Group [2017]
Em: Culture and religion
Ano: 2017, Volume: 18, Número: 4, Páginas: 388-408
(Cadeias de) Palavra- chave padrão:B Dakar / Hip-hop / Estética / Sufismo
Classificações IxTheo:AG Vida religiosa
BJ Islã
Outras palavras-chave:B Islã
B Senegal
B Aesthetics
B Sufism
B Hip Hop
Acesso em linha: Volltext (doi)
Descrição
Resumo:For many, any alliance between ‘Islam' and ‘Hip Hop' is an unholy one, whether for bringing Hip Hop into Islam or vice versa. Yet many of Senegal's prominent rappers today are committed adherents of the Fayḍa Tijāniyya Sufi (mystical Islamic) movement who rap about religious knowledge. Even the Fayḍa's senior, classically trained authorities tend to accept Hip Hop as an effective tool to promulgate religious principles and recruit new disciples. The line between rapper and Islamic preacher has become blurred, and several rappers are even formally appointed spiritual guides with their own disciples. This article attributes the success of Sufi Hip Hop to aesthetic resonances between global Hip Hop culture and the Fayḍa's self-imagination as an increasingly urban and global esoteric movement. I illustrate with the persona and art of Daddy Bibson, the first and most influential Fayḍa rapper to rap about Sufi knowledge.
ISSN:1475-5629
Obras secundárias:Enthalten in: Culture and religion
Persistent identifiers:DOI: 10.1080/14755610.2017.1376694