Rethinking the Great Commission: Incorporation of Akan Indigenous Symbols into Christian Worship
Symbols are communicative tools with performative functions in all cultures. Apart from their decorative functions, non-Christian symbols adopted into Christianity have had a tremendous impact on Christian life since the early times, especially in liturgical practices. Through Western missionary act...
| Κύριοι συγγραφείς: | ; |
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| Τύπος μέσου: | Ηλεκτρονική πηγή Άρθρο |
| Γλώσσα: | Αγγλικά |
| Έλεγχος διαθεσιμότητας: | HBZ Gateway |
| Journals Online & Print: | Φόρτωση...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Έκδοση: |
Wiley-Blackwell
[2018]
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| Στο/Στη: |
International review of mission
Έτος: 2018, Τόμος: 107, Τεύχος: 1, Σελίδες: 261-278 |
| Σημειογραφίες IxTheo: | CD Χριστιανισμός και Πολιτισμός CE Χριστιανική τέχνη ΚΒΝ Υποσαχάρια Αφρική KDB Καθολική Εκκλησία KDD Ευαγγελική Εκκλησία RJ Ιεραποστολή, Ιεραποστολική επιστήμη |
| Άλλες λέξεις-κλειδιά: | B
Theological
B Incorporation B Adinkra B Αποστολή (Διεθνές δίκαιο) B Symbols B Religious |
| Διαθέσιμο Online: |
Volltext (Verlag) Volltext (doi) |
| Σύνοψη: | Symbols are communicative tools with performative functions in all cultures. Apart from their decorative functions, non-Christian symbols adopted into Christianity have had a tremendous impact on Christian life since the early times, especially in liturgical practices. Through Western missionary activities, Ghana inherited Christian biblical-liturgical art as has been developed in the home countries of the missionaries. However, since the 1960s Adinkra symbols have been incorporated into Christian worship and theology, receiving attention within secular and religious circles because of their communicative potential. On the religious level, some churches have adopted them as logos or incorporated them into architectural designs and liturgical art. This paper seeks to investigate what motivates various missions to choose particular Adinkra symbol(s) and what they hope to achieve with them. Furthermore, it attempts a theological reflection on the communicative potential of artefacts in Ghanaian Christianity as a response to the Great Commission. We approach the subject from a historical, contextual, and theological perspective, using selected Roman Catholic and Methodist churches in Ghana as case studies. The study employed unstructured in-depth interviews and photo elicitations to trace the relationship between visual arts and religion, with particular emphasis on Christian visual arts and how they have informed Christianity in Ghana. |
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| ISSN: | 1758-6631 |
| Περιλαμβάνει: | Enthalten in: International review of mission
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| Persistent identifiers: | DOI: 10.1111/irom.12221 |