Oral Fixation or Oral Corrective? A Response to Larry Hurtado

Over the last several decades, performance criticism has made significant headway as an interpretive method. However, in a recent issue of this journal, Larry Hurtado argues that the key assumptions of the movement ignore various historical realities regarding the use of texts in the ancient world....

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Bibliographic Details
Main Author: Iverson, Kelly R. ca. 20./21. Jh. (Author)
Format: Electronic Article
Language:English
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Published: Cambridge Univ. Press [2016]
In: New Testament studies
Year: 2016, Volume: 62, Issue: 2, Pages: 183-200
Standardized Subjects / Keyword chains:B New Testament / Roman Empire / Orality / Literalness / Performance of
IxTheo Classification:CD Christianity and Culture
HC New Testament
Further subjects:B Larry Hurtado
B ancient media studies
B performance criticism
B Literacy
B Orality
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Summary:Over the last several decades, performance criticism has made significant headway as an interpretive method. However, in a recent issue of this journal, Larry Hurtado argues that the key assumptions of the movement ignore various historical realities regarding the use of texts in the ancient world. The following discussion offers a brief response to what Hurtado suggests are several ‘oversimplifications'. The essay argues that rather than being a ‘fixation' as Hurtado maintains, the renewed focus on orality and performance is a corrective that helps to provide a broader understanding of how biblical texts were typically experienced in the ancient world.
ISSN:1469-8145
Reference:Kritik von "Oral fixation and New Testament Studies? (2014)"
Kritik in "Correcting Iverson's ‘Correction' (2016)"
Contains:Enthalten in: New Testament studies
Persistent identifiers:DOI: 10.1017/S0028688515000430