The representation of violence as evil in contemporary art: the power of the image in Kiefer, Richter, and Bin Laden

How can violence as evil be represented in art and what do works of art evoke in the viewer? Two closely related questions on the representation of violence as evil are discussed. The first is whether there is an ethical limit to the representation of evil, that is, the issue posed with respect to t...

Descrizione completa

Salvato in:  
Dettagli Bibliografici
Autore principale: Stoker, Wessel 1946- (Autore)
Tipo di documento: Digitale/Stampa Articolo
Lingua:Inglese
Verificare la disponibilità: HBZ Gateway
Journals Online & Print:
Caricamento...
Fernleihe:Fernleihe für die Fachinformationsdienste
Pubblicazione: Taylor & Francis [2017]
In: International journal of philosophy and theology
Anno: 2017, Volume: 78, Fascicolo: 4/5, Pagine: 432-443
(sequenze di) soggetti normati:B Kiefer, Anselm 1945- / Richter, Gerhard 1932- / Ibn-Lādin, Usāma 1957-2011 / Il male / Terrorimo
Notazioni IxTheo:CD Cristianesimo; cultura
CG Cristianesimo e politica
Altre parole chiave:B Representation of evil
B Anselm Kiefer
B Holocaust art
B 11 / 9
B Gerhard Richter
B Bin Laden
Accesso online: Accesso probabilmente gratuito
Volltext (doi)
Descrizione
Riepilogo:How can violence as evil be represented in art and what do works of art evoke in the viewer? Two closely related questions on the representation of violence as evil are discussed. The first is whether there is an ethical limit to the representation of evil, that is, the issue posed with respect to the (im)possibility of Holocaust art. Works by Anselm Kiefer are compared to Holocaust art in the exhibition Mirroring Evil: Nazi Imagery /Recent Art (New York, 2002). The second question concerns the difference between art and life with respect to the representation of evil. Bin Laden’s live image of 9/11 is compared to Richter’s painting September. The former is life as a reality show; Bin Laden’s image can petrify the viewer. The latter is art, and Richter’s style of blurred realism distances the viewer from the event so that he can arrive at a moral and political position regarding terrorism.
ISSN:2169-2327
Comprende:Enthalten in: International journal of philosophy and theology
Persistent identifiers:DOI: 10.1080/21692327.2017.1294501