En torno al retablo mayor del monasterio de San Jerónimo de Granada: sus artífices, proceso constructivo, iconografía y modelos visuales
The main altarpiece of Saint Jerome in Granada undoubtedly ranks among the most outstanding examples of altarpiece artistry in modern age Spain and Andalusia. This is due to the classicistic mark of its architecture as well as to the cooperation of different maestros over the transition period from...
| Κύριος συγγραφέας: | |
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| Τύπος μέσου: | Ηλεκτρονικά/Εκτύπωση Άρθρο |
| Γλώσσα: | Ισπανικά |
| Έλεγχος διαθεσιμότητας: | HBZ Gateway |
| Journals Online & Print: | Φόρτωση...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Έκδοση: |
CSIC
[2017]
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| Στο/Στη: |
Hispania sacra
Έτος: 2017, Τόμος: 69, Τεύχος: 139, Σελίδες: 163-176 |
| Σημειογραφίες IxTheo: | CE Χριστιανική τέχνη KAH Εκκλησιαστική Ιστορία 1648-1913, Νεότερη Εποχή KBH Ιβηρική Χερσόνησος KDB Καθολική Εκκλησία |
| Διαθέσιμο Online: |
Πιθανολογούμενα δωρεάν πρόσβαση Volltext (doi) |
| Σύνοψη: | The main altarpiece of Saint Jerome in Granada undoubtedly ranks among the most outstanding examples of altarpiece artistry in modern age Spain and Andalusia. This is due to the classicistic mark of its architecture as well as to the cooperation of different maestros over the transition period from the Renaissance to the early naturalism of the17th century. This paper offers a state-of-the-art debate over the issue of the altarpiece authors, an insight on its iconography and construction process as well as an original interpretation of the visual elements that inspired this masterpiece. |
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| ISSN: | 0018-215X |
| Περιλαμβάνει: | Enthalten in: Hispania sacra
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| Persistent identifiers: | DOI: 10.3989/hs.2017.011 |