Authorial Atonement in Ian McEwan's Atonement and Sweet Tooth
Ian's McEwan's 2001 novel Atonement ends with a question: "how can a novelist achieve atonement when, with her absolute power of deciding outcomes, she is also God?" (350). And it concludes, in response to this question, that there "There is . No atonement for God, or noveli...
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| Формат: | Электронный ресурс Статья |
| Язык: | Английский |
| Проверить наличие: | HBZ Gateway |
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Опубликовано: |
Johns Hopkins University Press
[2019]
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| В: |
Christianity & literature
Год: 2019, Том: 68, Выпуск: 2, Страницы: 297-310 |
| Индексация IxTheo: | CD Христианство и культура NBK Сотериология |
| Другие ключевые слова: | B
metafiction
B Sweet Tooth B reader response B Ian McEwan B New Atheism |
| Online-ссылка: |
Volltext (Resolving-System) |
| Итог: | Ian's McEwan's 2001 novel Atonement ends with a question: "how can a novelist achieve atonement when, with her absolute power of deciding outcomes, she is also God?" (350). And it concludes, in response to this question, that there "There is . No atonement for God, or novelists, even if they are atheists" (350-51). I consider in the first part of this article what leads Briony Tallis, the novel's fictive author, to this bleak conclusion. In the second part I consider how McEwan takes up the question again in his 2012 novel Sweet Tooth and how he arrives at a more hopeful answer. |
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| ISSN: | 2056-5666 |
| Второстепенные работы: | Enthalten in: Christianity & literature
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| Persistent identifiers: | DOI: 10.1177/0148333118794017 |