Authorial Atonement in Ian McEwan's Atonement and Sweet Tooth
Ian's McEwan's 2001 novel Atonement ends with a question: "how can a novelist achieve atonement when, with her absolute power of deciding outcomes, she is also God?" (350). And it concludes, in response to this question, that there "There is . No atonement for God, or noveli...
Κύριος συγγραφέας: | |
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Τύπος μέσου: | Ηλεκτρονική πηγή Άρθρο |
Γλώσσα: | Αγγλικά |
Έλεγχος διαθεσιμότητας: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Έκδοση: |
Johns Hopkins University Press
[2019]
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Στο/Στη: |
Christianity & literature
Έτος: 2019, Τόμος: 68, Τεύχος: 2, Σελίδες: 297-310 |
Σημειογραφίες IxTheo: | CD Χριστιανισμός και Πολιτισμός ΝΒΚ Σωτηριολογία |
Άλλες λέξεις-κλειδιά: | B
metafiction
B Sweet Tooth B reader response B Ian McEwan B New Atheism |
Διαθέσιμο Online: |
Volltext (Resolving-System) |
Σύνοψη: | Ian's McEwan's 2001 novel Atonement ends with a question: "how can a novelist achieve atonement when, with her absolute power of deciding outcomes, she is also God?" (350). And it concludes, in response to this question, that there "There is . No atonement for God, or novelists, even if they are atheists" (350-51). I consider in the first part of this article what leads Briony Tallis, the novel's fictive author, to this bleak conclusion. In the second part I consider how McEwan takes up the question again in his 2012 novel Sweet Tooth and how he arrives at a more hopeful answer. |
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ISSN: | 2056-5666 |
Περιλαμβάνει: | Enthalten in: Christianity & literature
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Persistent identifiers: | DOI: 10.1177/0148333118794017 |