Una "Santa María Magdalena" del círculo de Jan van Dornicke o Maestro de 1518 = A St. Mary Magdalene by the circle of Jan van Dornicke or Master of 1518
In this article we present a new work attributable to the circle of the Master of 1518, a Flemish painter who has been identified as Jan van Dornicke. The catalogue of paintings related to the circle of this artist, who was active in Antwerp in the first quarter of the sixteenth century, has been in...
Subtitles: | A Saint Mary Magdalene by the circle of Jan van Dornicke or Master of 1518 A St. Mary Magdalene by the circle of Jan van Dornicke or Master of 1518 |
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Main Author: | |
Format: | Electronic Article |
Language: | Spanish |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
[2017]
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In: |
Anuario de historia de la Iglesia
Year: 2017, Volume: 26, Pages: 337-349 |
IxTheo Classification: | CE Christian art KAH Church history 1648-1913; modern history KBD Benelux countries |
Further subjects: | B
Sevilla
B Sixteenth Century B Pintura flamenca B Arte del Renacimiento B Flemish painting B Master of 1518 B Maestro de 1518 B Renaissance Art B Siglo XVI B Jan van Dornicke B Seville |
Online Access: |
Presumably Free Access Volltext (Resolving-System) Volltext (doi) |
Summary: | In this article we present a new work attributable to the circle of the Master of 1518, a Flemish painter who has been identified as Jan van Dornicke. The catalogue of paintings related to the circle of this artist, who was active in Antwerp in the first quarter of the sixteenth century, has been increased by the addition of a paintihg is new work, preserved in a private collection in Seville. The oil on wood depicting St. Mary Magdalene . Another work is thus added to the large set of Flemish paintings in the Andalusian capital. En el presente artículo damos a conocer una nueva obra atribuible al círculo del Maestro de 1518, pintor flamenco que fue identificado con Jan van Dornicke. El catálogo de pinturas relacionadas con el entorno de este artista, activo en Amberes en el primer cuarto del siglo XVI, se ve aumentado con un nuevo ejemplar, conservado en una colección particular de Sevilla. Se trata de un óleo sobre tabla que representa a Santa María Magdalena . De esta forma sumamos una pieza más al numeroso conjunto de pinturas flamencas existentes en la capital de Andalucía. |
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ISSN: | 2174-0887 |
Contains: | Enthalten in: Anuario de historia de la Iglesia
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Persistent identifiers: | DOI: 10.15581/007.26.337-349 |