Ideological Blindspot in the Academic Study of Religion and Film

This essay offers a critique of how "religion" is defined and studied in the academic field of religion and film, and calls for a more nuanced application of ideological analysis to the subject. Surveying the dominant scholarship in the field, it exposes a tendency to provide either theolo...

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Autor principal: Eaghll, Tenzan (Autor)
Tipo de documento: Electrónico Artículo
Lenguaje:Inglés
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Publicado: Brill [2019]
En: Method & theory in the study of religion
Año: 2019, Volumen: 31, Número: 4/5, Páginas: 416-445
(Cadenas de) Palabra clave estándar:B Ciencias de la religión / Película / Religión / Ideología
Clasificaciones IxTheo:AA Ciencias de la religión
AD Sociología de la religión
AG Vida religiosa
Otras palabras clave:B Sui Generis
B film studies
B Critique
B Película
B Religión
B Ideology
Acceso en línea: Volltext (Resolving-System)
Volltext (doi)
Descripción
Sumario:This essay offers a critique of how "religion" is defined and studied in the academic field of religion and film, and calls for a more nuanced application of ideological analysis to the subject. Surveying the dominant scholarship in the field, it exposes a tendency to provide either theological or mythological definitions of religion and to privilege the category as something sui generis—a unique, special, or "spiritual" domain of things in the world. Moreover, it shows how this scholarship disparages ideological analysis as reductive, abstract, and elite, and fails to consider how religion itself functions ideologically in film and film criticism. Drawing upon the work of critical scholars of religion to support this latter claim, as well as contemporary film studies theory, the article closes with a call for a more nuanced understanding of how ideology is constructed at both an individual and cinematic level.
ISSN:1570-0682
Obras secundarias:Enthalten in: Method & theory in the study of religion
Persistent identifiers:DOI: 10.1163/15700682-12341465