Ideological Blindspot in the Academic Study of Religion and Film

This essay offers a critique of how "religion" is defined and studied in the academic field of religion and film, and calls for a more nuanced application of ideological analysis to the subject. Surveying the dominant scholarship in the field, it exposes a tendency to provide either theolo...

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Detalhes bibliográficos
Autor principal: Eaghll, Tenzan (Author)
Tipo de documento: Recurso Electrónico Artigo
Idioma:Inglês
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Publicado em: Brill [2019]
Em: Method & theory in the study of religion
Ano: 2019, Volume: 31, Número: 4/5, Páginas: 416-445
(Cadeias de) Palavra- chave padrão:B Ciências da religião / Filme / Religião / Ideologia
Classificações IxTheo:AA Ciências da religião
AD Sociologia da religião
AG Vida religiosa
Outras palavras-chave:B Sui Generis
B film studies
B Critique
B Ideology
B Religião
B Filme
Acesso em linha: Volltext (Resolving-System)
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Descrição
Resumo:This essay offers a critique of how "religion" is defined and studied in the academic field of religion and film, and calls for a more nuanced application of ideological analysis to the subject. Surveying the dominant scholarship in the field, it exposes a tendency to provide either theological or mythological definitions of religion and to privilege the category as something sui generis—a unique, special, or "spiritual" domain of things in the world. Moreover, it shows how this scholarship disparages ideological analysis as reductive, abstract, and elite, and fails to consider how religion itself functions ideologically in film and film criticism. Drawing upon the work of critical scholars of religion to support this latter claim, as well as contemporary film studies theory, the article closes with a call for a more nuanced understanding of how ideology is constructed at both an individual and cinematic level.
ISSN:1570-0682
Obras secundárias:Enthalten in: Method & theory in the study of religion
Persistent identifiers:DOI: 10.1163/15700682-12341465