History Regained: A Modern Artist in Baghdad Encounters a Lost Tradition of Painting
This essay explores how the re-encounter with a medieval history of manuscript illustration laid a foundation for the practice of modern art in Iraq. It focuses on the artist Jewad Selim (1919-61) and his discovery of Yahya al-Wasiti's illustrations of the Maqāmāt al-Ḥarīrī, but it also marks t...
| Auteur principal: | |
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Brill
[2018]
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| Dans: |
Muqarnas
Année: 2018, Volume: 35, Numéro: 1, Pages: 229-272 |
| Sujets non-standardisés: | B
Eustache de Lorey
B global modernism B Baghdad Group for Modern Art B Baghdad School B Iraq B Jewad Selim B Yahya al-Wasiti |
| Accès en ligne: |
Volltext (Resolving-System) Volltext (doi) |
| Résumé: | This essay explores how the re-encounter with a medieval history of manuscript illustration laid a foundation for the practice of modern art in Iraq. It focuses on the artist Jewad Selim (1919-61) and his discovery of Yahya al-Wasiti's illustrations of the Maqāmāt al-Ḥarīrī, but it also marks the ways in which that discovery was mediated by the enterprise of orientalist scholarship, the context of European modernism, and the broader cultural renewal that occurred with the collapse of the Ottoman empire and the creation of new nation-states in the Middle East. |
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| ISSN: | 2211-8993 |
| Contient: | Enthalten in: Muqarnas
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| Persistent identifiers: | DOI: 10.1163/22118993_03501P010 |