Comic books, tragic stories: Will Eisner’s american jewish history

In recent years, we have witnessed a significant increase in writing by scholars and literary and cultural critics on the genre of the comic book, corresponding to an increased legitimacy given to the comic book industry and its writers and artists more generally. Part of this phenomenon no doubt st...

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Outros títulos:Research Article
Autor principal: Dauber, Jeremy 1973- (Author)
Tipo de documento: Recurso Electrónico Artigo
Idioma:Inglês
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Publicado em: University of Pennsylvania Press [2006]
Em: AJS review
Ano: 2006, Volume: 30, Número: 2, Páginas: 277-304
Outras palavras-chave:B Graphics
B Jewish literature
B Graphic Novels
B Jewish peoples
B Antisemitism
B Stereotypes
B Publishing industry
B Jewish History
B Comic Books
B Jewish Art
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Resumo:In recent years, we have witnessed a significant increase in writing by scholars and literary and cultural critics on the genre of the comic book, corresponding to an increased legitimacy given to the comic book industry and its writers and artists more generally. Part of this phenomenon no doubt stems from the attention lavished on the field by mainstream fiction and nonfiction writers who consider comic books a central part of their own and America’s cultural heritage, such as Michael Chabon and Jonathan Lethem. It may also stem from the changing nature of the industry’s finances, which now employ a “star system” revolving around writers and artists, not merely the major companies’ storied characters; though the days of the big houses that control the major characters are by no means gone, in the last two decades, numerous specialty imprints have been developed to publish characters that are owned outright by writers and artists, to say nothing of profit-sharing deals with major stars, even at some of the major companies.
ISSN:1475-4541
Obras secundárias:Enthalten in: Association for Jewish Studies, AJS review
Persistent identifiers:DOI: 10.1017/S0364009406000134