Arte, doctrina y liturgia en la Compañía de Jesús: la iconografía en la sacristía del antiguo colegio de San Pablo de Granada = Art, doctrine and liturgy in the Society of Jesus: iconography in the sacristy of the old Saint Paul college in Granada
The Society of Jesus’s church in Granada constitutes one of the main examples of Andalusian baroque. This is thanks to its artistic and stylistic features. Nevertheless, the historiography has been excessively focused on certain special items, which has caused a necessary reinterpretation of other p...
| Subtitles: | Art, doctrine and liturgy in the Society of Jesus: iconography in the sacristy of the old Saint Paul college in Granada |
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| Main Author: | |
| Format: | Electronic Article |
| Language: | Spanish |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
[publisher not identified]
[2020]
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| In: |
Hispania sacra
Year: 2020, Volume: 72, Issue: 145, Pages: 241-255 |
| IxTheo Classification: | CE Christian art KAH Church history 1648-1913; modern history KBH Iberian Peninsula |
| Further subjects: | B
colegio de San Pablo
B Iconology B Sacristy B Baroque Sculpture B Granada B Saint Paul College B Iconografía B Jesuitas B iconología B Iconography B escultura Barroca B Jesuits B sacristía |
| Online Access: |
Volltext (doi) Volltext (kostenfrei) |
| Summary: | The Society of Jesus’s church in Granada constitutes one of the main examples of Andalusian baroque. This is thanks to its artistic and stylistic features. Nevertheless, the historiography has been excessively focused on certain special items, which has caused a necessary reinterpretation of other parts much more unknown. For that reason, the following paper offers a new iconographic and iconological analysis of the sacristy’s vault (1617-1620), whereby we are able to approach to the establishment of the Jesuit doctrine in Granada at the early seventeenth century. La iglesia de la Compañía de Jesús de Granada constituye uno de los ejemplos capitales del barroco andaluz gracias a sus particularidades artísticas y estilísticas. Sin embargo, la excesiva focalización hacia determinados elementos singulares de la misma por parte de la historiografía motiva una necesaria relectura de otros mucho más desconocidos. Por ello, el presente artículo ofrece un novedoso análisis iconográfico e iconológico de la bóveda de la sacristía (1617-1620), mediante el cual podemos acercarnos a la implantación de la doctrina jesuítica en la Granada de los inicios del siglo XVII. |
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| ISSN: | 1988-4265 |
| Contains: | Enthalten in: Hispania sacra
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| Persistent identifiers: | DOI: 10.3989/hs.2020.018 |