Die Wiederentdeckung von Byzanz: Die kretische Ikone von Göttingen und die Koimesis-Darstellung in der byzantinischen und postbyzantinischen Epoche
What are the similarities and the differences of icons from the same workshop depicting the same subject? An important portable icon with the representation of the Dormition of the Virgin, hitherto unknown, preserved today in the Art Collection of the University of Göttingen, helps answering this qu...
| Главный автор: | |
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| Формат: | Электронный ресурс Статья |
| Язык: | Немецкий |
| Проверить наличие: | HBZ Gateway |
| Journals Online & Print: | Загрузка...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Опубликовано: |
De Gruyter
[2020]
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| В: |
Byzantinische Zeitschrift
Год: 2020, Том: 113, Выпуск: 3, Страницы: 751-768 |
| Другие ключевые слова: | B
История (мотив)
B Theologie und Religion B Византинистика B Altertumswissenschaften B Diverses B Historische Epochen B Патристика |
| Online-ссылка: |
Presumably Free Access Volltext (Verlag) Volltext (doi) |
| Итог: | What are the similarities and the differences of icons from the same workshop depicting the same subject? An important portable icon with the representation of the Dormition of the Virgin, hitherto unknown, preserved today in the Art Collection of the University of Göttingen, helps answering this question. The studydeals with the fascinating journey of this icon from Venetian-dominated Crete in the 15th century to Germany of the 18th century. Furthermore, this paper shows that the icon of Göttingen belongs to a group of a numerous icons that they all derive from the same icon-workshop of the renowned Cretan painters Andreas and Nikolaos Ritzos in Candia. Finally, it turned out that this icon was also the inspiration for Cretan painters of the 17th CE such as Emmanuel Lambardos and Viktor. |
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| ISSN: | 1868-9027 |
| Второстепенные работы: | Enthalten in: Byzantinische Zeitschrift
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| Persistent identifiers: | DOI: 10.1515/bz-2020-0033 |