Die Wiederentdeckung von Byzanz: Die kretische Ikone von Göttingen und die Koimesis-Darstellung in der byzantinischen und postbyzantinischen Epoche
What are the similarities and the differences of icons from the same workshop depicting the same subject? An important portable icon with the representation of the Dormition of the Virgin, hitherto unknown, preserved today in the Art Collection of the University of Göttingen, helps answering this qu...
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| Medienart: | Elektronisch Aufsatz |
| Sprache: | Deutsch |
| Verfügbarkeit prüfen: | HBZ Gateway |
| Journals Online & Print: | Lade...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Veröffentlicht: |
De Gruyter
[2020]
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| In: |
Byzantinische Zeitschrift
Jahr: 2020, Band: 113, Heft: 3, Seiten: 751-768 |
| weitere Schlagwörter: | B
Patristik
B Byzantinistik B Geschichte B Theologie und Religion B Altertumswissenschaften B Diverses B Historische Epochen |
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Vermutlich kostenfreier Zugang Volltext (Verlag) Volltext (doi) |
| Zusammenfassung: | What are the similarities and the differences of icons from the same workshop depicting the same subject? An important portable icon with the representation of the Dormition of the Virgin, hitherto unknown, preserved today in the Art Collection of the University of Göttingen, helps answering this question. The studydeals with the fascinating journey of this icon from Venetian-dominated Crete in the 15th century to Germany of the 18th century. Furthermore, this paper shows that the icon of Göttingen belongs to a group of a numerous icons that they all derive from the same icon-workshop of the renowned Cretan painters Andreas and Nikolaos Ritzos in Candia. Finally, it turned out that this icon was also the inspiration for Cretan painters of the 17th CE such as Emmanuel Lambardos and Viktor. |
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| ISSN: | 1868-9027 |
| Enthält: | Enthalten in: Byzantinische Zeitschrift
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| Persistent identifiers: | DOI: 10.1515/bz-2020-0033 |