My Enemy’s Fear Is My Fun: Print Columnists’ Mixed Reactions to the Frights of Religious Dystopia
The Handmaid’s Tale is a novel by Margaret Atwood that has won numerous awards for its frightful dystopian imagery. It was recently adapted for series television, an adaptation that has led some to see beyond the confines of the printed word. Columnists for a number of newspapers and magazines have...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Routledge, Taylor and Francis Group
[2020]
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| In: |
Journal of media and religion
Year: 2020, Volume: 19, Issue: 4, Pages: 145-164 |
| Online Access: |
Presumably Free Access Volltext (Resolving-System) |
| Summary: | The Handmaid’s Tale is a novel by Margaret Atwood that has won numerous awards for its frightful dystopian imagery. It was recently adapted for series television, an adaptation that has led some to see beyond the confines of the printed word. Columnists for a number of newspapers and magazines have suggested the television series provides insights into contemporary politics and religion. This study examines the way these essayists wrestled with various interpretations of the show. Some writers based their fearful reaction to the show on the Trump administration. Others, though, scoffed at this interpretation and seemed to enjoy doing so. In this study I examine how these dissonant interpretations might raise very good questions about how scholars think about media, religion, and fear. |
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| ISSN: | 1534-8415 |
| Contains: | Enthalten in: Journal of media and religion
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| Persistent identifiers: | DOI: 10.1080/15348423.2020.1853401 |