The Virtues of Being Human: Faith, Hope, and Love in James Gray's The Immigrant (2013), The Lost City of Z (2016), and Ad Astra (2019)
James Gray’s three most recent features reflect on the Christian virtues of faith, hope, and love, revealed and developed through encounters with others. The Immigrant (2013) reveals the way faith informs familial commitments, social bonds, and a life-giving response to suffering and injustice. The...
Auteur principal: | |
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Type de support: | Électronique Article |
Langue: | Anglais |
Vérifier la disponibilité: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Publié: |
2020
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Dans: |
The journal of religion and film
Année: 2020, Volume: 24, Numéro: 2, Pages: 1-27 |
Sujets / Chaînes de mots-clés standardisés: | B
The Immigrant
/ The Lost City of Z
/ Ad Astra
/ Gray, James 1969-
/ Foi
/ Amour
/ Espérance
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Classifications IxTheo: | AD Sociologie des religions AG Vie religieuse ZB Sociologie ZG Sociologie des médias; médias numériques; Sciences de l'information et de la communication |
Sujets non-standardisés: | B
Theological Virtues
B Love B Thomas Aquinas B Faith B Hope B James Gray |
Accès en ligne: |
Volltext (doi) Volltext (kostenfrei) |
Résumé: | James Gray’s three most recent features reflect on the Christian virtues of faith, hope, and love, revealed and developed through encounters with others. The Immigrant (2013) reveals the way faith informs familial commitments, social bonds, and a life-giving response to suffering and injustice. The Lost City of Z (2016) portrays a dreamer, a man whose hopeful vision of another world animates every aspect of his being. And Gray’s most recent feature, Ad Astra (2019) traces a man’s turn toward relationship as he discovers what it means to love. In each case, as Gray’s characters display these virtues, the characters transcend their boundedness, giving us a picture of the way these virtues guide us outside of ourselves, to our neighbors, and ultimately to God. |
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ISSN: | 1092-1311 |
Contient: | Enthalten in: The journal of religion and film
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Persistent identifiers: | DOI: 10.32873/uno.dc.jrf.24.2.013 |