“Um tesouro que ficou escondido”: ressignificações de signos antigos no Festival de Música Católica Cristo é Nosso Show = “A treasure that was hidden”: resignifications of old signs at the Christ is Our Show Catholic Music Festival
In this article, we seek to analyze the use of traditional signs during the 12th Christ is Our Show Catholic Music Festival (FMC), an event linked to Catholic charismatism. We conducted participant observation in the 2019 edition, collected documents in the main informational media and conducted an...
| Subtitles: | “A treasure that was hidden”: resignifications of old signs at the Christ is Our Show Catholic Music Festival |
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| 主要作者: | |
| 格式: | 電子 Article |
| 語言: | Portuguese |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | 載入...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| 出版: |
ABHR
[2020]
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| In: |
Plura, revista de estudos de religião
Year: 2020, 卷: 11, 發布: 1, Pages: 219-239 |
| Standardized Subjects / Keyword chains: | B
Brasilien
/ 天主教
/ 靈恩運動
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| IxTheo Classification: | CD Christianity and Culture CH Christianity and Society KDB Roman Catholic Church KDH Christian sects NBF Christology |
| Further subjects: | B
Igreja Católica
B 傳統 B Modernity B Tradição B Catholic Church B Carismatismo B Charismatism B Modernidade |
| 在線閱讀: |
Volltext (kostenfrei) |
| 總結: | In this article, we seek to analyze the use of traditional signs during the 12th Christ is Our Show Catholic Music Festival (FMC), an event linked to Catholic charismatism. We conducted participant observation in the 2019 edition, collected documents in the main informational media and conducted an interview with the FMC presenter. We perceive the attempt to praise the tradition, by means of the resignification of practices, rituals and symbologies presented as holy and purified from contemporary cultural elements. Analyzing the FMC allows speculating on the rich diversity of expressions that composes Brazilian Catholicism, elements of a “mosaic” that is intended as “one”, but distant from a hegemonic model. Neste artigo, procuramos analisar a utilização de signos tradicionais durante a realização do 12º Festival de Música Católica Cristo é Nosso Show (FMC), evento ligado ao carismatismo católico. Realizamos observação participante na edição de 2019, coletamos documentos nas principais mídias informativas e realizamos uma entrevista com o apresentador do FMC. Percebemos a tentativa de enaltecer a tradição, por meio da ressignificação de práticas, rituais e simbologias apresentadas como santas e purificadas de elementos culturais contemporâneos. A análise do FMC permite especular sobre a rica diversidade de expressões que compõe o catolicismo brasileiro, elementos de um “mosaico” que se pretende “uno”, mas distante de um modelo hegemônico. |
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| ISSN: | 2179-0019 |
| Contains: | Enthalten in: Plura, revista de estudos de religião
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