Reading Josephus’ “Prophetic” Inspiration in the Cave of Jotapata (J.W. 3.351–354) in a Roman Context
This article offers a literary analysis of the famous episode in Judean War 3.351–354, in which Josephus suddenly recalls his “nightly dreams.” It takes up the question of how Josephus characterizes himself in this episode in consideration of an elite audience located in Rome steeped in Greco-Roman...
| Κύριος συγγραφέας: | |
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| Τύπος μέσου: | Ηλεκτρονική πηγή Άρθρο |
| Γλώσσα: | Αγγλικά |
| Έλεγχος διαθεσιμότητας: | HBZ Gateway |
| Journals Online & Print: | Φόρτωση...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Έκδοση: |
Brill
2021
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| Στο/Στη: |
Journal for the study of Judaism
Έτος: 2021, Τόμος: 52, Τεύχος: 4/5, Σελίδες: 522-556 |
| Άλλες λέξεις-κλειδιά: | B
Judean War
B Josephus B self-characterization B Rhetoric B GRECO-ROMAN HISTORIOGRAPHY B Prophecy |
| Διαθέσιμο Online: |
Volltext (kostenfrei) Volltext (kostenfrei) |
| Σύνοψη: | This article offers a literary analysis of the famous episode in Judean War 3.351–354, in which Josephus suddenly recalls his “nightly dreams.” It takes up the question of how Josephus characterizes himself in this episode in consideration of an elite audience located in Rome steeped in Greco-Roman learning. In explaining this episode, scholars have put special emphasis on parallels with discourses of Judean prophecy and biblical prophets, such as Jeremiah and Daniel. The hypothesis that Josephus consciously presents himself as a prophet has found widespread acceptance and grown to become almost undisputable since the 1970s. In addition to challenging the view that Josephus explicitly and deliberately presents himself as a biblical prophet, the present contribution develops an interpretation that considers the historiographical outlook of the whole War as a military-political composition imbued with classicizing features. |
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| ISSN: | 1570-0631 |
| Περιλαμβάνει: | Enthalten in: Journal for the study of Judaism
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| Persistent identifiers: | DOI: 10.1163/15700631-bja10034 |