‘What have the Romans ever done for us?’ Postcolonialism, mimicry and hidden transcripts in the book of Revelation
This article examines and discusses Stephen D. Moore’s suggestion that that the use of imperial themes and motifs in Revelation create a self-perpetuating cycle that lead to one imperial power being replaced by another. This article presents an alternative reading of the book of Revelation: first, a...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Sage Publ.
2014
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| In: |
Pacifica
Year: 2014, Volume: 27, Issue: 3, Pages: 253-270 |
| Further subjects: | B
Apocalyptic
B Revelation B Theatre B Postcolonialism B Greco-Roman |
| Online Access: |
Volltext (lizenzpflichtig) |
| Summary: | This article examines and discusses Stephen D. Moore’s suggestion that that the use of imperial themes and motifs in Revelation create a self-perpetuating cycle that lead to one imperial power being replaced by another. This article presents an alternative reading of the book of Revelation: first, acknowledging as significant the text’s status as apocalyptic literature, written as a device of inspiration and subversion against reigning powers. Such literature is shown to deliberately employ imperial themes and motifs in order to subvert imperial rule; it serves as fantasy, exposing the ‘hidden structures of false power’ and suggesting an alternative. This leads to a reading of the text using Scott’s theories of hidden transcripts. As a hidden transcript, the text serves as an anti-authoritarian device that reflects popular feelings toward an oppressor through symbolism and codes. It represents a community’s secret longing for a day of victory over their oppressors; ultimately, the inversions and mimicry of the text serve to equalize and level class structures rather than reverse them. In order to facilitate a reading that truly represents this and allows the text to speak for itself, the article suggests an understanding of the book of Revelation as a dramatic work grounded in the performance art of the Roman Empire. It engages as an example Revelation 5 in the manner of a recitatio of the early empire, highlighting the discontinuity between what is seen and heard, before further exploring the ramifications of such a reading. Though in its early stages, such a reading of Revelation returns an ambiguity and depth to the text that certain postcolonial methods are lacking, whilst acknowledging its impact as a complex literary work that seeks not to provide answers, but rather a vision of hope that stands as an alternative to the forces of empire surrounding it. |
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| ISSN: | 1839-2598 |
| Contains: | Enthalten in: Pacifica
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| Persistent identifiers: | DOI: 10.1177/1030570X14558408 |