Archi-Liturgical Culture Wars
From a comparison of the much-discussed and supposedly epoch-making Neo-Modernist ‘Jubilee church’ in Rome and a new study of John Ninian Comper's church architecture, the article enquires into theologically informed principles of church design and in their light considers some crucial elements...
| Auteur principal: | |
|---|---|
| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Wiley-Blackwell
2008
|
| Dans: |
New blackfriars
Année: 2008, Volume: 89, Numéro: 1023, Pages: 522-542 |
| Sujets non-standardisés: | B
Tabernacle
B Church-building B Comper B Liturgy B Autel |
| Accès en ligne: |
Volltext (JSTOR) Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Édition parallèle: | Électronique
|
| Résumé: | From a comparison of the much-discussed and supposedly epoch-making Neo-Modernist ‘Jubilee church’ in Rome and a new study of John Ninian Comper's church architecture, the article enquires into theologically informed principles of church design and in their light considers some crucial elements in the symbolics of ecclesial space, notably altar, screen, communion rails and tabernacle. |
|---|---|
| ISSN: | 1741-2005 |
| Contient: | Enthalten in: New blackfriars
|
| Persistent identifiers: | DOI: 10.1111/j.1741-2005.2007.00207.x |