Schleiermachers Liederblätter 1817: Edition, Analyse und Kommentar eines einzigartigen Phänomens. By Bernhard Schmidt
Schleiermacher took great care in his choice of the music used in worship at services which he led. During his 25 years as a preacher at Berlin’s Dreifaltigkeitskirche (Trinity Church) he put into effect a theory of the liturgy in which an entire act of worship was to be conceived as a whole and a u...
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| Tipo de documento: | Recurso Electrónico Review |
| Idioma: | Inglês |
| Verificar disponibilidade: | HBZ Gateway |
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publicado em: |
Oxford University Press
2010
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| Em: |
The journal of theological studies
Ano: 2010, Volume: 61, Número: 2, Páginas: 866-867 |
| Resenha de: | Schleiermachers Liederblätter 1817 (Berlin [u.a.] : de Gruyter, 2008) (Marsh, Clive)
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| Outras palavras-chave: | B
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| Acesso em linha: |
Volltext (JSTOR) Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Resumo: | Schleiermacher took great care in his choice of the music used in worship at services which he led. During his 25 years as a preacher at Berlin’s Dreifaltigkeitskirche (Trinity Church) he put into effect a theory of the liturgy in which an entire act of worship was to be conceived as a whole and a unity, and he therefore viewed it as inappropriate for the preacher to hand over responsibility for the choice of hymns to others. Schleiermacher liked to draw widely on a range of hymn-books, preferred to use recent hymns if possible, and was quite free—in a way which would now be quite impossible because of copyright legislation—to alter words in the hymns he chose. |
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| ISSN: | 1477-4607 |
| Obras secundárias: | Enthalten in: The journal of theological studies
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| Persistent identifiers: | DOI: 10.1093/jts/flq060 |