Incongruity, Humor, and Mark: Performance and the Use of Laughter in the Second Gospel (Mark 8.14–21)
Relatively little scholarly work has attempted to change the perception that the Bible is a non-humorous book. Drawing upon contemporary humor theory, this article explores how Mark's third sea crossing (8.14–21) is intended to evoke a humorous response. Although laughter emerges from the comed...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Cambridge Univ. Press
2013
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| In: |
New Testament studies
Year: 2013, Volume: 59, Issue: 1, Pages: 2-19 |
| Further subjects: | B
Laughter
B Performance B Orality B Humor B Disciples B Mark 8.14–21 |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Parallel Edition: | Non-electronic
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| Summary: | Relatively little scholarly work has attempted to change the perception that the Bible is a non-humorous book. Drawing upon contemporary humor theory, this article explores how Mark's third sea crossing (8.14–21) is intended to evoke a humorous response. Although laughter emerges from the comedic depiction of the Twelve, humor complements the evangelist's broader theological agenda. In Mark, humor is a natural byproduct of performance and is a powerful means of communicating a central theme of the Gospel. |
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| ISSN: | 1469-8145 |
| Contains: | Enthalten in: New Testament studies
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| Persistent identifiers: | DOI: 10.1017/S0028688512000276 |