Uncle Tom’s Bibles: Bibles as Visual and Material Objects from Antebellum Abolitionism to Jim Crow Cinema
Stowe’s deployments of bibles and artistic representations of them in illustrated editions offered a conservative abolitionism that emphasized the potential for peace among former slaves and masters. . . . bibles in the afterlives of Uncle Tom’s Cabin continued to offer moderation when it came to is...
Auteur principal: | |
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Type de support: | Électronique Article |
Langue: | Anglais |
Vérifier la disponibilité: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Publié: |
Yale University
2019
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Dans: |
MAVCOR journal
Année: 2019, Volume: 3, Numéro: 2 |
Sujets non-standardisés: | B
Jim Crow
B American South B Bible; picture Bible B Uncle Tom's Cabin B United States B Illustration B Book B Bible B African American |
Accès en ligne: |
Volltext (kostenfrei) Volltext (kostenfrei) |
Résumé: | Stowe’s deployments of bibles and artistic representations of them in illustrated editions offered a conservative abolitionism that emphasized the potential for peace among former slaves and masters. . . . bibles in the afterlives of Uncle Tom’s Cabin continued to offer moderation when it came to issues of race and racial interactions. |
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ISSN: | 2475-2428 |
Contient: | Enthalten in: MAVCOR journal
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Persistent identifiers: | DOI: 10.22332/mav.ess.2019.2 |