From Court to Community: Francis Seager's Certayne Psalmes and the Popularization of Mid-Tudor Scriptural Verse

Although previous scholarship has characterized Francis Seager’s metrical psalm paraphrase collection Certayne Psalmes select out of the Psalter of Dauid, and drawen into Englyshe Metre (1553), as a text designed for courtly audiences, the work is best understood as one designed to bring God’s word...

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Bibliographic Details
Main Author: Lucas, Scott (Author)
Format: Electronic Article
Language:English
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Published: Routledge, Taylor and Francis Group 2022
In: Reformation
Year: 2022, Volume: 27, Issue: 1, Pages: 27-42
IxTheo Classification:HB Old Testament
KAG Church history 1500-1648; Reformation; humanism; Renaissance
KBF British Isles
KDE Anglican Church
RD Hymnology
Further subjects:B Psalms
B Music
B seres
B Seager
B Reformation
B Verse
Online Access: Volltext (lizenzpflichtig)
Description
Summary:Although previous scholarship has characterized Francis Seager’s metrical psalm paraphrase collection Certayne Psalmes select out of the Psalter of Dauid, and drawen into Englyshe Metre (1553), as a text designed for courtly audiences, the work is best understood as one designed to bring God’s word in compelling form to common men and women. New evidence for Seager’s background and career reveals his evangelical commitments and his focus on common audiences, attitudes shared by his text’s publisher William Seres. To attract common audiences, Seager selects psalms that speak particularly to the experiences and hopes of those of the lower classes, and he cast his psalm paraphrases as works to be communally sung rather than silently read, granting to them a form that allows their messages to travel beyond any individual owners of his work to all who might gather to sing or hear sung his psalms.
ISSN:1752-0738
Contains:Enthalten in: Reformation
Persistent identifiers:DOI: 10.1080/13574175.2022.2051291