Ira Regis: Comedic Inflections of Royal Rage in Jewish Court Tales

This article deals with the largely unexplored motif of royal anger in the Jewish court tales. In addition to presenting material on the motif's distribution, lexical and syntactical profile, and narrative function, I argue that Daniel 2, 3, Esther, and Bel and the Snake develop the motif of th...

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Главный автор: Chan, Michael J. 1982- (Автор)
Формат: Электронный ресурс Статья
Язык:Английский
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Опубликовано: Penn Press 2013
В: The Jewish quarterly review
Год: 2013, Том: 103, Выпуск: 1, Страницы: 1-25
Другие ключевые слова:B Сатира
B Jewish humor
B Bel and the Snake
B Esther
B Daniel
B court tales
B Ампир (стиль)
B Kings
B Resistance
B Юмор (мотив)
B farce
B Joseph
B Comedy
B Bel and the Dragon
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Итог:This article deals with the largely unexplored motif of royal anger in the Jewish court tales. In addition to presenting material on the motif's distribution, lexical and syntactical profile, and narrative function, I argue that Daniel 2, 3, Esther, and Bel and the Snake develop the motif of the king's anger along comedic lines. These humorous depictions of royal anger, of course, did not take place in isolation from their narrative surroundings. Rather, they were part of a general trend at work in the genre to demystify the king by subjecting him and his habitat to comedic representation. The king, in these tales, is wrenched from the realm of myth and ritual and squarely placed into crosshairs of the comedian. I further argue that such representations of the king are what James Scott refers to as "hidden transcripts"—a subordinate form of critical discourse that often manifests itself in "rumor, gossip, folktales, jokes, songs, rituals, codes, and euphemisms…." These findings, in turn, are related to the broader body of scholarly literature on Jewish humor, ancient and contemporary.
ISSN:1553-0604
Второстепенные работы:Enthalten in: The Jewish quarterly review
Persistent identifiers:DOI: 10.1353/jqr.2013.0004