The concepts of the sublime and the saturated phenomenon in Immanuel Kant and Jean-Luc Marion: a systematic comparison based on their philosophical origins
This paper is a systematic comparison between two well–known and theologically relevant concepts – the sublime as developed in Kant’s third Critique, and Marion’s saturated phenomenon. Although it discusses the significant and apparent similarities between them, it also criticizes Marion’s identific...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Taylor & Francis
2022
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| In: |
International journal of philosophy and theology
Year: 2022, Volume: 83, Issue: 1/3, Pages: 43-63 |
| Standardized Subjects / Keyword chains: | B
Kant, Immanuel 1724-1804
/ Marion, Jean-Luc 1946-
/ The Sublime
/ Phenomenology
|
| IxTheo Classification: | TJ Modern history TK Recent history VA Philosophy |
| Further subjects: | B
Phenomenology
B Sublime B Jean-Luc Marion B Immanuel Kant B saturated phenomenon B Reason |
| Online Access: |
Volltext (kostenfrei) |
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| 520 | |a This paper is a systematic comparison between two well–known and theologically relevant concepts – the sublime as developed in Kant’s third Critique, and Marion’s saturated phenomenon. Although it discusses the significant and apparent similarities between them, it also criticizes Marion’s identification of the sublime as a possible example of a saturated phenomenon. This is primarily because of the different origins and philosophical presuppositions guiding the elaboration of these two ideas. Kant’s aim is to confine the reception of the phenomenon to the conditions of experience, so that both in the case of judg-ments of beauty and judg-ments of the sublime, the subject achieves pleasure through self-centred appreciation of its rational capacities. Marion’s saturated phenomenon, on the other hand, aims at dispensing with the ‘metaphysical’ horizon of either the object, or the transcendental subject, in favour of passive appropriation of givenness. Although both are meant to describe what happens when the limits of understanding are breached, in the sublime this breach only serves to reinforce the capacity of the rational subject, whereas in the saturated phenomenon it points to the possibility of apprehension of the totally Other as purely given. | ||
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