The End of Loneliness: Guardini, Rilke, and the Communion of Saints
Romano Guardini read Rilke's Duino Elegies as a compelling eschatological vision for the modern world, but one that must be rejected. I argue that in Rilke's writing, Guardini detected the secular analogue to the substantial image at the end of the Christian eschatological imagination—that...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Cambridge Univ. Press
2022
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| In: |
Horizons
Year: 2022, Volume: 49, Issue: 2, Pages: 333-356 |
| IxTheo Classification: | CD Christianity and Culture KAJ Church history 1914-; recent history NBE Anthropology NBH Angelology; demonology NBQ Eschatology |
| Further subjects: | B
Romano Guardini
B Communion B Rainer Maria Rilke B Saints B Death B Dante B Personhood |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Summary: | Romano Guardini read Rilke's Duino Elegies as a compelling eschatological vision for the modern world, but one that must be rejected. I argue that in Rilke's writing, Guardini detected the secular analogue to the substantial image at the end of the Christian eschatological imagination—that is, the communion of saints. Rilke's vision is coherent in that the end he perceives follows from the beginning he assumes; therefore, understanding Rilke's end requires his commentator to see all that precedes that end, beginning with Rilke's own beginning. In a time of increasing loneliness, Guardini's response to Rilke rings with renewed contemporary relevance to guard against the ultimate erasure of the human person. |
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| ISSN: | 2050-8557 |
| Contains: | Enthalten in: Horizons
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| Persistent identifiers: | DOI: 10.1017/hor.2022.48 |