The handmaid's tale in a fourth-century format: Ausonius and Bissula

One significant form of migration in Late Antiquity was the traffic with slaves and captives of war. My article will discuss one individual case that is conveyed by the poet Ausonius in fourth-century Gaul. Ausonius composed a small set of poems to his alumna Bissula who had probably been taken as c...

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Autore principale: Kahlos, Maijastina 1967- (Autore)
Tipo di documento: Stampa Articolo
Lingua:Inglese
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Pubblicazione: Aschendorff 2020
In: Jahrbuch für Antike und Christentum
Anno: 2020, Volume: 63, Pagine: 178-187
(sequenze di) soggetti normati:B Ausonius, Decimus Magnus 310-395 / Ausonius, Decimus Magnus 310-395, Bissula. Ad lectorem / Prigioniera di guerra / Schiava / Colonialismo
Notazioni IxTheo:CD Cristianesimo; cultura
CG Cristianesimo e politica
KAB Cristianesimo delle origini
Altre parole chiave:B Alumnae & alumni
B Foster children
B Handmaid's Tale, The (TV program)
B Prisoners of war
B War
B Aristocracy (Social class)
Descrizione
Riepilogo:One significant form of migration in Late Antiquity was the traffic with slaves and captives of war. My article will discuss one individual case that is conveyed by the poet Ausonius in fourth-century Gaul. Ausonius composed a small set of poems to his alumna Bissula who had probably been taken as captive during Emperor Valentinian I's expedition in the Rhine region against the Alemanni in 368. Ausonius mentions Bissula as a spoil of war and of Suebian origin. He praises her as delicium, blanditiae, ludus, amor, voluptas (Biss. 4,1). Who was Bissula and what was her role in Ausonius' household? Was she a foster child or a concubine? Was she even a historical person? The perspective to Bissula, the booty of war, is inescapably Ausonius', the learned Roman aristocrat. Therefore, what we eventually can discuss is the Roman colonial gaze in Late Antiquity. In his delight of the Suebian girl, Ausonius depicts her as better than Roman ones - with the exotic colouring of "Occidentalism" or "Borealism". I will also analyse the poem from the viewpoint of Romanization: Bissula becomes ambigua, by her origin and looks she is Rheno genita, by her language and, it is implied, the adopted culture she is Latin.
ISSN:0075-2541
Comprende:Enthalten in: Jahrbuch für Antike und Christentum