The Unreliable Narrator: A Literary Study of Traumatic Experience through Chava Rosenfarb’s Rella Character
"Edgia’s Revenge" is ostensibly the story of a symbiotic relationship between Rella and Edgia, two women who were inmates in Auschwitz during World War II. The narrative is written in retrospective, a kind of suicide note that the protagonist prepares before taking the coloured pills on he...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Equinox Publ.
2021
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| In: |
Religious studies and theology
Year: 2021, Volume: 40, Issue: 2, Pages: 203-216 |
| Further subjects: | B
Holocaust
B narrative techniques B kapo B narrative strategies B unreliable narrator |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Summary: | "Edgia’s Revenge" is ostensibly the story of a symbiotic relationship between Rella and Edgia, two women who were inmates in Auschwitz during World War II. The narrative is written in retrospective, a kind of suicide note that the protagonist prepares before taking the coloured pills on her bedside. It is the telling of the story of an unrepentant female kapo, the term for Jewish guards who supervised the forced labour of other Jews in the heinous concentration and forced labour camps. The reader serves as listening witness as Rella remorselessly absolves herself of her own behaviour, refusing responsibility even for the act of taking her own life. "Edgia’s Revenge" is an unsettling short story; its disquieting tone is created in no small part by the use of unreliability in the narrative voice and Rella’s unrepentant account of her life. Her self-centredness and twisted perception is chilling, particularly as it is dressed in the beautiful clothes of kindness and culture; this outward beauty covers, hides, a Jew who participated in carrying out the activities of the death camps. "Edgia’s Revenge" presents the undressing, the revealing, of a woman who, because she survived, was forced, ultimately unbearably, to live with herself and her own behaviour. |
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| ISSN: | 1747-5414 |
| Contains: | Enthalten in: Religious studies and theology
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| Persistent identifiers: | DOI: 10.1558/rst.21472 |